Old habits die hard

There’s nothing brutal about the spring edition of Concrete Quarterly, which my company Wordmule produces for the Concrete Centre. Concrete is at its cosiest in a south London family home, its most sensitive on a heritage restoration in King’s Cross, and its most finely detailed in a concert hall in the Norwegian Arctic, which has 674 unique facade panels of sparkling white concrete.

Nothing brutal, that is, until you get to Lasting Impression on page 19, when architect Simon Allford of AHMM chooses his all-time favourite concrete structures: Birmingham’s Spaghetti Junction and disused World War II pillboxes.