“Not enough is spoken about the aesthetics of motorway works”

Concrete Quarterly’s winter edition takes a fascinating look at the world through the eyes of a sculptor – legendary concrete mural artist William Mitchell, now in his 90s, who compares the forms of the UK’s motorway network to sand dunes in the Arabian Desert (p19). Sculptural forms abound elsewhere too – once you start thinking that way, it’s hard to stop. There’s an art gallery in LA where works by Jeff Koons sit within a moulded building that appears to float, a social justice centre-cum-shelving unit in south London, and a kitchen extension made almost entirely of concrete that could have been carved from a single block. I’ve edited CQ for the Concrete Centre since 2010, but you can read the whole archive going back to 1947 here.

CQ Winter 2015_cover

Author: Katie Puckett

I'm a journalist who has been writing, editing and subbing business magazines for nearly 20 years. I write regularly on all aspects of the built environment – architecture, engineering, construction, property, investment, housing, planning, economics, sustainability, climate change adaptation, technology, insurance – and I’m always up for getting to grips with new topics. I’m also co-founder of Wordmule, a company that creates bespoke editorial and marketing content about buildings and cities.