“Not enough is spoken about the aesthetics of motorway works”

Concrete Quarterly’s winter edition takes a fascinating look at the world through the eyes of a sculptor – legendary concrete mural artist William Mitchell, now in his 90s, who compares the forms of the UK’s motorway network to sand dunes in the Arabian Desert (p19). Sculptural forms abound elsewhere too – once you start thinking that way, it’s hard to stop. There’s an art gallery in LA where works by Jeff Koons sit within a moulded building that appears to float, a social justice centre-cum-shelving unit in south London, and a kitchen extension made almost entirely of concrete that could have been carved from a single block. I’ve edited CQ for the Concrete Centre since 2010, but you can read the whole archive going back to 1947 here.

CQ Winter 2015_cover

Author: Katie Puckett

I am an experienced journalist, copywriter and editor who has covered the built environment for nearly 20 years. I’ve interviewed thousands of senior executives, politicians and experts in many fields and travelled to report on stories throughout Europe, the US, the Gulf states and India. My articles have appeared in many business and professional titles including Building, Estates Gazette, Inside Housing, the Bartlett Review, Insurance Times and Lloyd’s Market. I am co-author, with architect Bill Gething, of Design for Climate Change, published by RIBA, and I launched and edit The Possible, a thought leadership magazine for global engineering firm WSP. I'm also co-founder of Wordmule, an editorial studio that specialises in buildings and cities.