As the research spanned many months, it’s a strange hybrid of pre and post-Covid concerns – a stark reminder that pandemics are just one of the many heightened threats facing humanity over the coming decades.
In this issue: making cities resilient to terrorist attacks, and to climate change, a bird’s eye view of the future of airports, the lost art of drawing makes a comeback, and how we change things just by measuring them.
Flooding will become the new normal during the 21st century, as sea levels rise and rainfall becomes more intense due to global warming, and cities sprawl along coasts and rivers.
Half a billion people are affected every year, and this could quadruple by 2050, according to the EU’s Global Flood Observatory. Reinsurance broker Aon Benfield has calculated that flooding was responsible for $27bn of economic losses in 2015, often in areas that never used to flood. That was a good year – the annual average loss over the last decade has been $48bn.
In this brilliantly illustrated cover feature for Modus, the magazine of the Royal Institution of Chartered Surveyors, I looked at how the economics of property will have to adapt to a much wetter world. By 2070, Kolkata and Mumbai will be the two cities whose populations will be most at risk, while Miami, Guangzhou, New York and Kolkata will have the most to lose in terms of assets.
Spending on flood protection is often targeted at the highest value land or assets, while the poorer the community, the less able it will be to recover from a disaster. One contributor warned of the creation of “flood ghettos”: “It’s not just the immediate flood area, it affects the surrounding areas, and the wider community drifts down the economic scale. It becomes a self-fulfilling prophecy of less investment and fewer opportunities.” Meanwhile, another flood surveyor is going back to college, to do a master’s degree in a rather different field: how adults learn. “Getting people to understand flood risk means changing their perceptions and logic,” he explains. “I’m intrigued by why people make choices that are not in their best interest.”
At the first-ever UN “Buildings Day”, held at the Paris climate talks in December, there was unprecedented scrutiny of the carbon dioxide emissions associated with property and construction, and the sector’s role in averting catastrophic climate change. By 2050, emissions from the built environment must be reduced by an estimated 84 gigatonnes – the equivalent of taking 22,000 coal-fired power stations offline – if global warming is to be limited to less than 2°C.
That will take a radical rethink of the way we build and refurbish, but also of how properties are funded, valued, procured and managed: the World Green Building Council is calling for nothing short of a “global market transformation”. In this cover feature for Modus, the magazine of the Royal Institution of Chartered Surveyors, I investigated what that’s going to look like.
This is the property sector’s “tobacco moment”, one expert told me – the equivalent of the government reports that made an incontrovertible link between smoking and ill-health in the early 1960s: “The fundamental difference between the Kyoto Protocol [in 1997] and the Paris Agreement is that today no one can say they didn’t know there was risk.”
My company Wordmule has just produced a second issue of This is Concrete, the bespoke 24-page magazine we created for The Concrete Centre last year to tie in with their activities at the Ecobuild exhibition. Their themes were pretty diverse this year, from how to design buildings to last in a changing climate and create high-performance housing for people of all ages, to the thorny issue of accurately calculating the embodied carbon of building products. So we pulled it all together under a “sustainability for life” theme, with a special cover illustration by our very talented designer Nick Watts. Details of The Concrete Centre’s activities at Ecobuild were contained in a pull-out section, to extend the magazine’s shelf life beyond the event itself. Which fits in quite neatly with the theme, come to think of it.
Even if – a very big if – global warming is held to the 1.5°C limit set by nearly 200 world leaders at the UN climate talks in Paris, this will represent a radical change in the global climate. The other big news from the Paris conference was an unprecedented emphasis on adapting to the change that is already happening, and which will continue for centuries to come, no matter what. Humankind faces an uncertain future in which extreme weather events are more frequent and more intense, and there is an escalating threat from storms, hail, flooding, droughts, tropical cyclones and landslides.
The Paris talks stopped short of setting targets or funding mechanisms, but the World Bank estimates that to adapt to a 2°C rise we would have to spend US$70-100bn each year between 2010 and 2050. The cost of not doing anything is pretty high too: over the last decade, annual damages to global real estate and infrastructure from severe weather events have tripled to US$150bn, reaching 8% of GDP in the worst hit regions, not including indirect losses to sectors such as tourism.
In this article for the RICS magazine, Modus, I investigated the far-reaching implications for property, from protecting individual homeowners against heatwaves and flooding, to future-proofing real-estate funds worth billions of dollars.
And for much, much more detail on climate change adaptation, there’s this book I co-wrote for RIBA Publishing.
In October, my regular client WSP Parsons Brinckerhoff sponsored a host room at the annual conference of the Council for Tall Buildings and Urban Habitats in New York. I went along, listened in on two days of presentations and then turned it into a 72-page magazine, to be distributed to the company’s clients and partners worldwide. The overall theme of Skylines is the renaissance of tall buildings. There’s an unprecedented high-rise boom, but the new generation of towers will be very different from those that preceded them – not only in their giant scale but in the kind of spaces they offer, both in the sky and on the ground. Skylines explores what this looks like, from the perspective of designers, developers and city planners around the world.
The “fluid” themed issue of Modus was too good an opportunity to pass up: I pitched a feature about surveyors working in the world of wine. Happily they went for it, so I went to meet a property-developer-turned-château-negociant in the Bordeaux vineyards, who talked me through the 50 questions every prospective buyer should ask, and why they should forget about making any money. I spoke to an Australian agrarian about the toll that climate change is already taking on the Riverland’s parched vines and the financial woes of its major exporters. And, closer to home, I interviewed a fine-wine auctioneer in Cambridge about snaffling a bargain as the colleges turn out their cellars – and how to avoid a very expensive disappointment.
My company Wordmule has produced Concrete Quarterly on behalf of the Concrete Centre for several years now. For spring 2015, they also wanted a completely new 24-page magazine to tie in with the Ecobuild event, bringing together all of the sustainability themes from their three-day seminar programme – and planned, written and designed in six weeks flat. The result is This is Concrete.